I loved The Devil's Rejects. God help me.
After seeing director Rob Zombie's second feature film, The Devil's Rejects , I felt like I'd been smacked upside the face as I left the theater. Some of the acts depicted in the movie are so horrific that I'm astonished it got past the MPAA with an R rating, and it showcases characters engaging in behavior so vile that some part of me is embarassed to admit I even watched the thing. So why can't I just dismiss it as exploitive filth? Because The Devil's Rejects also happens to be a stunningly well-engineered movie, an uncompromising, riveting, smart, well-acted, and darkly funny cinematic valentine to old-school grindhouse excess. Just don't tell anyone I said so; I'll plead the fifth if you do. It picks up right where its predecessor (Zombie's feature directorial debut, House of 1000 Corpses ) left off, with members of the homicidal Firefly clan escaping a bloody police standoff and heading across the arrid South. Unlike House 's Grand Guignol...