Yo, Ho, Ho and a Bottle of Bruckheimer
I'll cop right up front to being a big fan of the first Pirates of the Caribbean movie. It's the kind of fleet-footed, swashbuckling good time that Hollywood seldom gets right in these devalued times, and Johnny Depp's gravity-defying hoot of a performance as the off-kilter Captain Jack Sparrow is one for the ages.
Much of the rest of the world apparently agreed with me, making Curse of the Black Pearl a massive surprise hit a few summers back, so the stakes are pretty high for the follow-up, Pirates of the Caribbean: Dead's Man's Chest. The good news for the bean-counters is that this new entry is a bona-fide financial windfall. The better news (from this cramped perspective, at least) is that it hits the popcorn-movie pleasure nodes almost as adroitly as the first one.
The sense of breezy, devil-may-care surprise that suffuses the first one is less prominent here, with a much more convoluted plot and Depp's Captain Jack coming off as less crazy-like-a-fox and more just plain crazy. But there are still laughs aplenty (an extended escape from an island of cannibals is downright Keaton-esque in execution), a healthy dose of action, and some truly spectacular special effects.
A lot of critics have gone at Dead Man's Chest with cutlasses swinging, And I'm a little stymied at this. Yes, this follow-up is less character-driven and more plot-mechanics-heavy than the previous Pirates opus, but the action setpieces draw much more from Ray Harryhausen's imaginative fantasies of the '50's and '60's than from your typical Bruckheimer-palooza. All effects-heavy adventures should render their menageries of creatures and fight scenes with this much brio and love.
If anything, there's a dark-fable tone to Dead Man's Chest that works really nicely. The ambiguous past of ostensible good guy Will Turner (Orlando Bloom) takes a melancholy (and mythic) twist when he meets his father (Stellan Starsgaard), and the eye-poppingly scary tentacle-faced villain Davy Jones (the always-fab Bill Nighy) even sports motivations of wounded romance straight out of a Grimms' Fairy Tale. Such developments make the slight dip in Johnny Depp face-time much more palatable.
So while it's no revelation, this sophomore chapter in a projected three-part cycle bodes pretty well for the future. Consider my buckle more than adequately swashed.
Much of the rest of the world apparently agreed with me, making Curse of the Black Pearl a massive surprise hit a few summers back, so the stakes are pretty high for the follow-up, Pirates of the Caribbean: Dead's Man's Chest. The good news for the bean-counters is that this new entry is a bona-fide financial windfall. The better news (from this cramped perspective, at least) is that it hits the popcorn-movie pleasure nodes almost as adroitly as the first one.
The sense of breezy, devil-may-care surprise that suffuses the first one is less prominent here, with a much more convoluted plot and Depp's Captain Jack coming off as less crazy-like-a-fox and more just plain crazy. But there are still laughs aplenty (an extended escape from an island of cannibals is downright Keaton-esque in execution), a healthy dose of action, and some truly spectacular special effects.
A lot of critics have gone at Dead Man's Chest with cutlasses swinging, And I'm a little stymied at this. Yes, this follow-up is less character-driven and more plot-mechanics-heavy than the previous Pirates opus, but the action setpieces draw much more from Ray Harryhausen's imaginative fantasies of the '50's and '60's than from your typical Bruckheimer-palooza. All effects-heavy adventures should render their menageries of creatures and fight scenes with this much brio and love.
If anything, there's a dark-fable tone to Dead Man's Chest that works really nicely. The ambiguous past of ostensible good guy Will Turner (Orlando Bloom) takes a melancholy (and mythic) twist when he meets his father (Stellan Starsgaard), and the eye-poppingly scary tentacle-faced villain Davy Jones (the always-fab Bill Nighy) even sports motivations of wounded romance straight out of a Grimms' Fairy Tale. Such developments make the slight dip in Johnny Depp face-time much more palatable.
So while it's no revelation, this sophomore chapter in a projected three-part cycle bodes pretty well for the future. Consider my buckle more than adequately swashed.
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